Nicole Huang

Professor
(608) 262-9876; (608) 261-1018
nhuang@wisc.edu
1116 Van Hise; 266 Bascom
PhD, UCLA; MA, UCLA; BA, Peking University 

 
 

Director, Wisconsin China Initiative (2012-present)

Former director, Center for East Asian Studies (2008-11)

Faculty lead, Taiwan Studies Initiative (2008-present)

 

FIELDS OF STUDY: 

Transcultural East Asia; modern Chinese visual and auditory cultures; modern Chinese literature

CURRENT RESEARCH: 

Professor Huang is currently completing a book manuscript called "Late Mao Soundscapes: Auditory Culture and Daily Practice in 1970s China." A second book manuscript, written in Chinese, is titled "Rekindling the Strange Land: Chinese-language Narratives and Cultural Imagination" (《重溫異鄉:華語敘述與文化想像》). She has also begun a new project on social use of photography in contemporary China, supported by a fellowship from the Andrew W. Mellon Foundation.


COURSES: 

Approaches to Transasian Studies

Topics in Transasian Studies

Survey of Chinese Literature

Popular Culture and Film in Twentieth-century China

Studies in Chinese Fiction

Seminar in Chinese and Taiwanese Literature and Film


SELECTED PUBLICATIONS: 

BOOKS

Women, War, Domesticity: Shanghai Literature and Popular Culture of the 1940s, Leiden: Brill, 2005.

Writing Against the Turmoil: Eileen Chang and Popular Culture of Occupied Shanghai 《亂世書寫:張愛玲與淪陷時期上海文學及通俗文化》. Shanghai: Shanghai Sanlian Press 上海三聯書店, 2010.

 

EDITED VOLUMES

 

Co-editor, with an introduction, Written on Water: A Collection of Essays by Eileen Chang, New York: Columbia University Press, 2005 (paperback edition, 2007).

Guest co-editor, special issue on Taiwan Cinema, Modern Chinese Literature and Culture 15.1 (October 2003).

 

SELECTED ARTICLES

“Listening to Films: Politics of the Auditory in 1970s China,” Journal of Chinese Cinemas, 7.3 (November 2013): 187-206.

“Locating Family Portraits: Everyday Images from 1970s China,” positions: east asia culture critique, 18.3 (Winter 2010): 671-94.

“Azalea Mountain and Late Mao Culture,” The Opera Quarterly: Performance+Theory+ History, vols. 26-27 (Autumn 2010): 402-25.

“Eileen Chang and Things Japanese” in Eileen Chang: Romancing Cultures, edited by Kam Louie (Hong Kong: Hong Kong University Press, forthcoming).

“Dreaming of the Red Chamber and Writing of the Nether World” 夢在紅樓,寫在隔世, in From Writing Degree Zero: Reconstructing Eileen Chang 《零度看張:重構張愛玲》, edited by Shuang Shen (Chinese University of Hong Kong Press, 2009), 99-118.

“Fashioning Public Intellectuals: Women’s Print Culture in Occupied Shanghai (1941-1945),” in In the Shadow of the Rising Sun: Shanghai under Japanese Occupation edited by Christian Henriot and Wen-hsin Yeh (Cambridge: Cambridge University Press, 2004), 325-45.

“Sun-facing Courtyards: Urban Communal Culture in Mid-1970s Shanghai,” East Asian History 25/26 (June-December 2003): 161-82.

 

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article on family portraits in late Mao China.pdf491.02 KB
article on model opera and late Mao culture.pdf644.55 KB
article on Eileen Chang's Japanese connections.pdf1.91 MB
article on film and auditory practice in 1970s China1.09 MB